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Sabahudin Hadžialić, MSc 

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Dr. Diti Ronen, Tel Aviv, Israel

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Diti Ronen, a poet: dtronen@gmail.com; Neve Monoson 60190, Israel

 
Diti Ronen, born in Tel-Aviv, Israel, is a scholar and an artist. She is the author of three poetry books – littlebird (Bar Ilan University, 2010, a bilingual Hebrew/English edition); Inner Moon, Notebook (Hakibbutz Hame'uhad, 2002), and With the Slip Showing (Gvanim, 1999). Her next poetry book, A Night Siècle, is about to be published in 2012.

Ronen's poems are translated into more than ten languages. They are published internationally, taught in Academic Institutions, adapted for the stage and serve as lyrics for songs and as libretto for musical concerts. Ronen is regularly invited to perform readings of her poems in International Poetry Festivals and other venues in Israel and elsewhere.

Dr. Diti Ronen is a professor at The Hebrew University and at The Center for Academic studies. She is deeply involved in the Israeli Cultural Scene. Her fields of interest are Poetry and Literature, Theatre, Cultural Policy and Arts Administration. 

Awards

·        Best Poetic Cycle (For Night Siècle. Given by Ditet e Naimit Poetry Festival, Macedonia, Oct.2011);

·        A Special Contribution to the Literature (Given by Ditet e Naimit Poetry Festival, Macedonia, Nov. 2011);

·        The Golden Inkwell (For special contribution to the Hebrew Literature. Given by The Hebrew Writers Association in Israel, Tel Aviv 2006).

·        Ministry of Culture's General Manager Award (Israeli Ministry of Culture, Jerusalem, Jul. 2001);

Main latest publications of poetry in anthologies and magazines outside Israel

·    
  Among authors from 25 countries from all around the World has been included in Anthology “Poets for World Peace”, 2011, published by DIOGEN pro culture magazine & DHIRA, Swiss.  

·        Rizgjimi Lutjes. Ditet E Naimit Poetry Festival (Macedonia, 2011).

·        Il Viaggio della parola. La stanza del poeta, Gaeta (Italy 2011).

·        119 / Web streaming poetry. Auropolis (Belgrade and Serbia 2010).

·        Nashim. Indiana University Press, Philadelphia (USA 2010).

·        With an Iron Pen. SUNY Press, Albany, New-York (USA 2009).

·        Periódico de Poesía. Ciudad Universitaria (México 2009).

·        Le Fram. Librairie Livre aux Tresors & Univesite de Liege (Belgium 2009).

·        Kritya, a Journal of Poetry (India 2009).

Main recent performances outside Israel

·        Prizren Poetry Club (Kosovo. Oct. 2011)

·        Tirana Per7shme Poetry Club (Albania. Oct. 2011)

·        Ditet e Neimit International Poetry Festival (Macedonia. Oct. 2011)

·        Mandya International Seminar on Holocaust Literature (India. Sep. 2011)

·        Il viaggio della parola Poetry Festival (Gaeta, Italy. Apr. 2011)

·        Dhvanyaloka Literary Club (Mysore, India, Dec. 2010)

·        Sahitya Akademi (Delhi, India. Nov. 2010)

·        Kritya International Poetry Festival(Mysore, India, Jan. 2010)

Main essays & critics on Ronen's poetry

·        Itamar Kest. About The "littlebird". Psiefas, 79 (2010) 23-31.

·        Yaoz Hanna.An interview with the poetess Dr. Diti Ronen.Sal van Gelder institution for holocaust research, Bar Ilan University(2009)

·        Yaoz Hanna.Second Generation Poets: A conversation with Diti Ronen.Psiefas, 66 (2007) 41-42.

·        Yaoz Hanna. At the Sign of the Inner Moon: on Diti Ronen Two Poetry Books. Psiefas, 52 (2002) 44-45.

·        Gilboa Shulamith. Critic and Interview with Diti Ronen. The Literature and Art Supplement, the Book Week, Yediot Acharonot (17.03.2005).

·        Ben David Yaara. The Ultimate Longing Apple. The Books Supplement (537), Haarez (11.06.2003).

·        Almog Ruth. Who has given me birth, me too gave birth to a woman. The Supplement for Culture and Literature, Haarez (26.07.2002). 

·        Saari Rami. Scenes from the Circuits of Life. The Supplement for Culture and Literature, Haarez (26.07.2002). 

·        Levitan Amos. The Question of the Feminine Delight. Iton 77, 270 & 271 (2002) pp 34, 35.

·        Ben Shaul Moshe. The Moon Circuits, the Monthly Period Circuits. Iton 77, 269 (July 2002) p10.



VILLA AMIRA, Street Ante Starčevića 33, 
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Diti Ronen in Sarajevo and Travnik, BiH 2012.

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http://diogen.weebly.com/2132012---world-poetry-day.html 

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"La donna in poesia -The role of woman poet - Uloga žene pjesnikinje - Second session of the Poetry festival, Gaeta, Italy,15.4.2011 .: Participating Diti Ronen

Ella Ronen website: 
https://www.ellaronen.com 


                               Čitati slušajući

Kao lišće koje se izvija na povjetarcu iskrenih namjera, poezija Diti Ronen blješti neobičnim svjetlom. Onim koje zbunjuje nas - insekte civilizacije izgubljenih moći. 

To svjetlo je kao svjetionik nade u buri stremljenja. Odoljeva ljubavlju nošeno. Opstaje inatom snage. Svjetlo je poetika čula. Ne samo njenih, već i naših. Dok, ubjeđeni da znamo sve, žudno čitamo njene stihove shvatajući krhkost vlastitog znanja. O poeziji, ali i u poeziji. 

Njene poetske misli su izazov svjetlosti koju poznajemo. I ne samo to. 

Diti je svjetlost sama. Dok je čitamo. Slušajući je.


Riječ urednika

Sabahudin Hadžialić
22.11.2011.
                       Reading though listening

As the leaves that are twisting on the breeze of sincere intentions, poetry of Diti Ronen flashes with the strange light. The one that confuses us - insects of the civilization of lost power.

That light is like a beacon of hope within the storm of aspirations. Resists worn with love. Survives with the power of spite. Light is a poetry of senses. Not only hers, but also ours. While, convinced that we knows it all, eagerly read her poems realizing the fragility of our own knowledge. About poetry, and within poetry.

Her poetic thoughts are challenge to the light that we know. And not only that.

Diti is the light itself. While we are reading her. Listening to her.


Editorial note

Sabahudin Hadžialić
22.11.2011.


POEMS from Inner Moon Notebook (HaKibbutz HaMeuchad Press)

Translated from the Hebrew  by Rachel Tzvia Back April 2011


First Quarter: Crescent

Once there was no earth, the universe was bare 

and all my sides were luminous
and my face was luminous and my eyes were luminous
and the soles of my feet were luminous
and even the place where the soles of my feet stepped was luminous

And I wasn't capable
of even the slightest waning
of even nearing the awareness of waning
and from the moment there was awareness of waning, waning was formed

Later there was earth
and in the power of its orbit came the crashing sickle
like the falling of the meteor in the Big Bang

And the hour of my birth was the hour of my death.


 
First Quarter: Apogee

I am in the center. Encircling planets in their orbits distance themselves from me.

At my core I am hidden even from myself.
In the dark I can't see me. 
The vastness of my longings, for example, or the size of my heart.

 Therefore, I know nothing about my love.

My need to nourish what surrounds me
flows from me like an indispensable movement, inevitable
like the need to nourish myself.

And about the body: it's here, wishing for something else.


Second Quarter: Second Lunation

Perhaps tonight
no one is dreaming you --
white, virginal, ceremonial,
replete like God.

Belong to me tonight, so
I can hear you
near, as at the moment of birth,
whispering in my ear
my ineffable name
three times.

Adore me,
bend over me gently, here's my neck
spiraling toward you from under the blanket.

Look, my face is soft
and your body is ready
for whatever comes.



Second Quarter: Perigee

I donned my inner body to become a woman.
My expanses flowed over their contours
open-lipped toward you

My skin continued beyond its gait.
Given over to myself I dissolved my borders
delighting in the honey as it carried me forth

At night you came to me wrapped in my dream.
The days troubles removed themselves from the room
my light filled the house.

 
Second Quarter: Three-Quarters Full

My body's scent is heavier than me, spilt on the road –  
will you know me now that I am made fluid?

Tonight my neck will lengthen to reach you – 
I am marking my moves.

The mango is dripping, emitting its sweetness through the window.




Second Quarter: Third Lunation

I watch the movement of the leaves –
that's how I want to come to you, elemental,
slowly, dazzled to discover my body
at the hour it opens to you surprised
by its hidden beauty.

You'll let my body to be my body, to speak its private language
only it understands. I'll ask you to love yourself in the ways of the flesh.




Second Quarter: Full Moon

My nights are longer than the inner darkness
my dreams are spoken in their private names
unfurling in slow motion and the hours drag on.

Often I think of my life
that lives outside the frame of my life.

The span of my existence is shifting.



Second Quarter: Filling Up
Like a pair of hungry nurslings my eyes rise to your orbit

My gaze is fixed to the suckling nipple
as it fills my body with its flowing white, purifying my expanses
to ready them for tomorrow's new day.

 


Monday: Pre-Dawn

Like a home, I leave you –
when I come back I turn on the light.

You follow me to the kitchen
waiting for a sign of love.
I'm hungry –

you offer
a plate, a chair, a bed.
I am conciliated.

I fold my body into yours
while my head leaves
for its winding paths.

How I longed to capture the words of beauty,
their perfection round
like a river stone.

Homes that I left come back to visit me.
At night I repay their visit.
Farewell within farewell within farewell.

Still I know nothing about your ways in me,
like how your mornings are readied for solace.


Third Quarter: Waning

What is the exact distance
between the light's source
and its sorrow.

In this arena the hand-to-hand
combat between us is
becoming dense.

Interwoven laser beams
scan the data of each insult
and its orbit, locating even the evasive and abject ones.

We are like iron flakes in a paralyzing
magnetic field, arrayed
according to prior orders.

In the absolute diminishment
the points of birth and death
become one.

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Dr. Diti Ronen is sitting third from the right at the International poetry festival "Ditet e Naimit" in Tetovo, Macedonia, October 2011.
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Dr. Diti Ronen is reading her poetry in Formia, Italy, at the “Mediterranean in Poesia – Il viaggio della parolla “ 
Poetry festival, April 2011.
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With colleagues poets in Italy
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With colleagues poets in Macedonia
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   Best Poetic Cycle (For Night Siècle. Given by Ditet e Naimit Poetry Festival, Macedonia, Oct.2011) 

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